Prepping the dumb guy

In the practice room, I’m smart, organized, and focused. I’d like to say that this always leads to performances that are relaxed, poised, and confident. But sometimes the smart guy from the practice room fails to show up, and instead a much dumber version of me ends up on the stage: nervous, distracted, and scatterbrained.

It’s my job (the smart guy) to make sure the dumb guy is prepped and ready to go. He’s not much good at thinking on his feet or making good musical decisions, but he’s trainable. So here’s the preparation regimen:

  • Practice in a thorough, methodical way. Not just the hard parts—the easy parts, too, which the dumb guy thinks he can handle but will be prone to boneheaded mistakes.
  • If recordings of the repertoire are available, listen to them over and over. Sometimes when the dumb guy’s reading or memory fail him, his ear can help him through.
  • Include a clear breathing plan in the practice routine. Mark the breaths in, early in the process, and practice them like they are notes. My particular dumb guy tends to breathe in weird places when he gets nervous, so I have to make sure good breaths are part of his muscle memory. (If you have a dumb guy/girl, they might have their own personal quirks that need a safety net.)
  • Make extensive markings. Anything that the dumb guy might forget gets penciled in, in clear and unambiguous terms (no just circling things—the dumb guy can’t always remember in the heat of the moment what the circles mean). If necessary, I even leave him a little reminder a few bars in advance (“big breath coming up,” “keep fingers relaxed,” etc.).
  • Make foolproof arrangements for page turns. Sometimes that means things like making a couple of copies of a page, with some bars completely blacked out so the dumb guy can’t accidentally play past the page turn, or fail to find his place after turning. Sometimes I even leave some instructions in the margin about how to do the page turn successfully.
  • After the recital or concert, I review the dumb guy’s performance to figure out what other holes he managed to fall into, and strategize about how to plug those holes for next time.

If you’re like me, and your IQ sometimes drops a few points under the hot stage lights, make sure you’ve done your advance work so the dumb guy can’t cause too much havoc.

Some useful phrases for gig calls

Here are some phrases that have been useful to me when somebody calls about a gig. When dealing with other professionals (or working through the musicians’ union) mostly these aren’t necessary—the caller should give the needed info unprompted. But many of the gigs in my rural area are one-offs for weddings or school or business events, … Read more

Review: “Double Troubles” by Paul Saunders

A few months ago I wrote a review of So You Want to Play in Shows…?, a book of woodwind doubling etudes by Paul Saunders. Recently Paul sent me Double Troubles, a new collection of etudes. Like So You Want, the new volume includes a piano part plus access to downloadable backing tracks. As I said in the previous review: This is … Read more

2017 in review

Here are some highlights from the blog in 2017. The top new posts in terms of traffic and social sharing were: Review: D’Addario Select Jazz tenor saxophone mouthpieces Please lose the music binder Quick flute switches and embouchure problems for woodwind doublers Advice on graduate performance study and university teaching careers Buy intonation, not tone … Read more

Favorite blog posts, December 2017

Hand-picked high-quality woodwind-related blog posts from around the web, December 2017 edition.

What I listen for in scholarship auditions

It’s scholarship audition season again, which means I get to meet and listen to some very nervous high school seniors (and community college sophomores).

My university is a small regional one, so our audition process probably isn’t as intense as some of the big name-brand music schools. If you’re preparing for an audition, you should definitely check in with that school to see what they expect, but here’s what I usually hear auditionees play, and what I’m thinking while I listen.

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Interview: flutist Tammy Evans Yonce

Flutist Tammy Evans Yonce is an active recitalist, writer, clinician, speaker, contributor to various conferences and professional organizations, and professor at South Dakota State University (plus: she is my former classmate). Her thoughtful blog is a favorite of mine and my regular readers will recall that I have featured her posts on a number of occasions. … Read more

Favorite blog posts, November 2017

Hand-picked high-quality woodwind-related blog posts from around the web, November 2017 edition.

Hercules stand clip modification

I made a small modification to my Hercules instrument stands so I could clip them onto my instrument cases for easier carrying. The stands all have this same yellow sort of teddy-bear-head piece on the bottom: Remove the nut from the center of the bear’s forehead: I bought a handful of these. They are almost … Read more

Be suspicious of instrument bling

If you are considering buying the newest, hottest instrument, accessory, gadget, etc., it’s worth asking yourself a few questions: Is this item made out of materials that are usually used for fine jewelry or the dashboards of luxury cars? How likely is it that the most visually-attractive materials also happen to have the ideal acoustical … Read more