Check out this blog post by Helen over at the Bassic Sax blog for some thoughts from saxophone great Ernie Watts about the downside of doubling.
At some point, you end up in a mush of mediocrity.
4 comments on Ernie Watts on not doubling
Leave a comment
Comments are welcomed, including opposing viewpoints. Real names are preferred, and real email addresses are required. I do reserve the privilege of deleting or editing any comment for any reason, but if you're polite then we're probably good.
You can use these tags, if you're feeling saucy:
<a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <strike> <strong>
I like Ernie and all, but maybe him and Dan Higgins (or anybody else on LA’s first call list) never quite crossed paths.
Pronounced as ‘saxOFFanist’ – that was a chuckle. Better than sexophone or sexoffanist, I suppose.
Hmmmmmmmmmmmm…………
OK….that works for Ernie Watts……However…..Throughout my career….Doubling has created many amazing musical and creative opportunities for me….My advice is….
Follow Your Dream and play your L-o-n-g Tones. Ray Pizzi
Totally agree Ray! If you don’t like it, don’t do it! There are plenty of other people that would jump at the chance to play whatever instruments they are asked to play. And I’m one of them!!! I also don’t think that working on my other instruments have harmed my oboe playing at all. I played more oboe now (and better) that I’ve been doubling a lot more, in and outside of school. But, to each his own.