Articles in category: Fun (18 found)

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Breaking: Rico to produce bizarre double-tipped reeds

Okay, folks, hang onto your hats: I have stumbled onto what appears to be some truly weird news about things going on at Rico Reeds.

I use Google Alerts to keep track of lots of woodwind-related topics on the web. Most days they don’t turn up anything especially interesting, but this morning I awoke to an alert of a new patent, just filed by Rico. Check it out here. [UPDATE: The PDF appears to have been removed from Google Patents. Rico must have connections!] [UPDATE #2: I managed to retrieve a partial copy of it from my web browser cache. Here it is.] It appears to describe double-ended clarinet and saxophone reeds. Yes, you read that correctly.

I assumed at first that the filing of this patent must be some kind of odd business practice required by Rico’s legal department. Maybe Rico held a brainstorming session on new products, and patents got filed on every idea, no matter how ridiculous, just in case.

But, out of curiosity, I Googled some of the other patents referenced in the PDF. And one of the patents listed as related to “specialized adaptations to existing machinery” used in reed manufacture turned up something surprising. Check out the search results, for the patent number in the ricoreeds.com domain. [UPDATE: The single web document that previously showed up in this search appears to have been removed or otherwise secured. The document appears to be an archived email message, intended for internal use within Rico (located at the subdomain "intranet.ricoreeds.com", now inaccessible). I have retrieved the document from my web browser cache. The formatting is lost, but it is still legible. Read it here. I have removed the names of Rico employees.] Here is a summary, based on my best guesses from the document:

  • “Duality” appears to be either a brand name or an internal code name for the double-tipped reeds.
  • Conversions of some existing machines to produce double-tipped reeds seem to be in process already.
  • “Duality” is due to launch (as in a new product release?) in “late 2012.”
  • The email refers to 15 “units” in all, with 12 being converted. I don’t know if this represents all of Rico’s reedmaking machines; if so, it seems they are converting 80% of their production capacity to Duality, with 20% to continue producing “legacy” products. If this is case, Rico is betting big on the Duality reeds.

I’m not sure what to make of all this. Let me know what you think in the comments.

[BIG UPDATE: Rico has responded to my blog post with a "press release" on their Facebook page. Apparently somebody is working over the weekend. Check it out here!!]

Internet forum field guide: gear recommendations

Enter with caution.

If you frequent any of the various woodwind-related Internet message boards, forums, or listservs, you have undoubtedly encountered some of the wildlife I will describe here. Remember that they can be dangerous creatures, and that it is often best not to attempt interaction with them.

One of the most common animal behaviors witnessed on the message boards is the exchange of gear recommendations. There are two primary families of wildlife the participate in this ritual: the askers and the answerers.

The askers

The askers all share a common behavioral trait: a proclivity for asking total strangers to blindly recommend instruments, mouthpieces, reeds, and other items. Their calls are varied.

Some prefer to remain hidden in the underbrush, offering no clarifying details:

hey guys first time on this board what reedz should I use lolz Read more

December links digest

I try not to just dump lists of links very often, but here are a few fun items that didn’t warrant their own full posts:

“Dilbert” creator Scott Adams on practicing

Dilbert.com

Woodwind practicing also improves your spittle production.

Dilbert cartoonist Scott Adams gave his interesting take on practicing today on his blog.

I’ve spent a ridiculous number of hours playing pool, mostly as a kid. I’m not proud of that fact. Almost any other activity would have been more useful. As a result of my wasted youth, years later I can beat 99% of the public at eight-ball. But I can’t enjoy that sort of so-called victory. It doesn’t feel like “winning” anything.

It feels as meaningful as if my opponent and I had kept logs of the hours we each had spent playing pool over our lifetimes and simply compared. It feels redundant to play the actual games.

I see the same thing with tennis, golf, music, and just about any other skill…

Read the whole thing here.

While there certainly are other factors that can affect a musician’s success, I do tend to think that a primary predictor of a musician’s ability level is the number of hours logged in quality, focused practice. With a challenging solo recital on the schedule for tomorrow night, there is a certain kind of appeal to the notion of walking on stage, displaying a log of the hours I’ve put in, taking a bow, and making my exit. But instead I’ll hope that the time I’ve put in practicing will make “victory” a sure thing.

Oboist on the Supreme Court? part III

Elena Kagan

Supreme Court Justice Elena Kagan: Not, as far as we know, a woodwind player.

Well, it looks like we’re going to have to wait a while longer for a woodwind player on the US’s highest court. Oboist Diane Wood, previously a candidate for the Supreme Court vacancy, has been passed over in favor of newly-confirmed Elena Kagan. I’m sure that, despite her presumably total inability to play the oboe, she will serve her nation well.

Oboist on the Supreme Court? part II

I posted last week about Diane Wood, the federal judge and oboist who is a candidate to fill a soon-to-be vacant seat on the US Supreme Court. (Unsurprisingly, Patty Mitchell, prolific blogger and online curator of all things oboe-related, also picked up the story.)

Yesterday the LA Times ran an op-ed by Meghan Daum, herself a recovering oboe player, entitled “The Supreme Court could use an oboist.” Here are the good parts:

The oboe isn’t just an instrument; it’s a way of life. … Playing the oboe means living your life entirely at the mercy of tiny wooden double reeds that crack at inopportune moments (weirder and more awful yet, you’re supposed to make them yourself as though you were a 19th century artisan). It also means blowing so hard into them that you risk a brain aneurysm every time you try to hit a high D. It also means you’re a huge nerd.

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